Sixteenth notes and a fast-paced tempo looks like it could spell out disaster for even the most experienced flutists.
Thankfully, there is a special technique these flutists use to conquer even the most rapid technical passages.
While we don’t have two tongues, there is a special process that allows us flutists to be twice as fast at articulation by using two distinct sounds. This is what is known as double tonguing.
What is double tonguing?
Double tonguing is a technique used by flutists and a few other select wind instruments to articulate fast note sequences without losing clarity or precision. It involves using both the front and back of the tongue to increase frequency of articulation. In more simple terms, it is using two syllables to tongue instead of one. Instead of using a single syllable like “tu” (as in single tonguing), double tonguing alternates between two distinct syllables: “tu” and “ku.” One string of notes incorporating double tonguing might sound like “tu-ku-tu-ku.” Fun, right?
Why use double tonguing?
The primary reason to learn double tonguing is to articulate fast passages that single tonguing just cannot keep up with. Double tonguing offers the ability to achieve quick articulation, reducing the possibility of physical strain or lagging behind on articulation. Many flute pieces, especially in orchestral or solo settings, essentially require double tonguing to execute rapid note sequences.
How do I master double tonguing?
To begin to learn this special technique, start by developing the “ku” sound. Yes, it may feel unnatural at first, but try making the back of the tongue touch the soft part of the roof of your mouth to create this unique syllable. One simple exercise is to blow a constant airstream on a single note and add a “ku-ku-ku” layer of articulation. Focus on each sound being distinct and evenly spaced. As you become more comfortable with the “ku” syllable, combine the “tu” and “ku” sounds. This is the essence of double tonguing! Using a metronome, practice a simple eighth-note pattern, starting slow and steady but gradually speeding up. Be careful not to exhaust yourself. As you grow your confidence, try double tonguing scales!
With daily practice, you can become a master at double tonguing. Whether you are working on arpeggios or a concerto, double tonguing is certainly an invaluable tool for flutists. By refining your technique and gaining fluency with the versatile “tu” and “ku”, you will soon unlock new possibilities in your playing, making even the quickest passages feel effortless.
Ready to start? Contact us to set up your first lesson today!
Call us: (917) 715-6865
musicandmethod.com